

G. F. Watts was the only artist to donate works to the Tate Gallery when it was established in 1897. At the time this was widely perceived to be an altruistic gesture in that his pictures were seen to offer moral and spiritual consolation as well as enhancing the reputation of the British school. However, from around the time of the Second World War many of the works included in the bequest disappeared into the gallery’s stores never to re-emerge, testimony to changes in value which made Watts’s gift appear redundant. This lecture looks at the Watts bequest in relation to other art legacies, and examines the problem it presented in terms of the conditions it imposed, the on-going relationship between the Tate and the Watts estate, as well as shifts in taste and reputation.
Alison Smith is a Curator at Tate and author of The Victorian Nude: Sexuality, Morality and Art, MUP 1996, contributed to Representations of G. F. Watts, Ashgate 2004, and co-wrote the catalogue for the hugely popular show Millais, at Tate Britain in 2007.

In his lecture Wilson described G. F. Watts as being "scandalously under-rated" and gave a fascinating insight into his use of the death in both his paintings and sculpture.
We have signed copies of books by A. N. Wilson in the shop. Please call the Gallery to buy copies. 01483 810235 marketing@wattsgallery.org.uk
"Wilson’s book 'The Victorians' was the book he was born to write; it was evidently the product of decades of love for and familiarity with the period"
Philip Hensher Spectator
A. N. Wilson was born in 1950 and educated at Rugby and New College, Oxford. A fellow of the Royal Society of Literature, he has held a prominent position in the world of literature and journalism. He is an award winning biographer and a celebrated novelist, winning prizes for much of his fiction. He lives in North London.

Sandy Nairne was previously Director of Programmes at Tate and spent eight years working alngside Nicholas Serota in the building of Tate Modern and the Centenary Development at Tate Britain. He has worked as a curator and writer and is well known for his television series and book State of the Art (1987), and co-edited anthology Thinking About Exhibitions (1996).

Dr Tristram Hunt is an expert in Victorian urban history and is currently a visiting professor at Arizona State University and a lecturer in history at Queen Mary, University of London. Educated at Trinity College, Cambridge and the University of Chicago, he was previously an associate fellow at the Centre for History and Economics, King’s College, Cambridge and research fellow at the Institute for Public Policy Research (IPPR). He is also author of numerous books and articles, the most recent being the critically acclaimed Building Jerusalem: The Rise and Fall of the Victorian City charting the history and architecture of the 19th Century city. In addition, he has worked extensively to generate a broader public interest in heritage through his articles in The Times, The Observer, The New Statesman and specialist journals. He has written and presented a number of radio and TV series including Civil War (BBC2), Isaac Newton: Great Briton (BBC2) and Past Presence (Radio 4) and is currently working on a new project for Channel 4.